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Later that year Johnson acted in John Barton’s anthology for the RSC, The Hollow Crown, which toured Europe, and he appeared on Broadway in the title role of Graham Greene’s The Complaisant Lover.In 1963 he devised his own show, The Golden Age, which he gave on Broadway.He made something of a comeback at Stratford-on-Avon in 1992 as Antony in Antony and Cleopatra, having two years earlier re-established himself on the television screen in two plays, The Camomile Lawn and Anglo-Saxon Attitudes.In later years, he was a charismatic presence in television productions such as Midsomer Murders, Waking the Dead, Silent Witness and Doc Martin.He claimed to have started acting as a child and then became a professional actor because it made him feel alive, and less aware of his “insufficiencies”.After Gielgud’s Hamlet, he moved to the West End as part of a classical repertoire at the Haymarket where he took small parts in Love for Love, The Circle, and The Duchess of Malfi.

If the stardom for which his career seemed to be heading in the cinema of the early 1960s eluded him, he cut a dashingly romantic figure opposite Kim Novak, whom he married in real life at this time (albeit briefly – they divorced a year later), in the all-star romp, The Amorous Adventures of Moll Flanders (1965).Returning to the RSC in 1972, he played (both at Stratford and in London) Mark Antony in Julius Caesar, and Antony in Trevor Nunn’s Antony and Cleopatra (opposite Janet Suzman), a performance variously described as “fruity”, “genial” and “declining into a business ruffian”, but also firmly defining the warrior’s handsome gravity.After starring in a West End musical comedy, Thomas and the King, in 1975, in which he played Thomas, he joined the National Theatre Company for a couple of seasons, showing, again under Peter Hall’s direction, a sharp gift for farce in Noël Coward’s Blithe Spirit, and playing Pontius Pilate in The Passion (1977), Pinchwife in Wycherley’s The Country Wife (1977) and Nendor in The Guardsman in 1978.His television work included Haywire (1981), The Aerodrome (1983) and Lady Jane (1986).

His feature films included The Haunting (1963), Khartoum (1966), Danger Route (1967), Oedipus the King (1968), Lady Hamilton (1968), Julius Caesar (1970), Hennessy (1975) for which he wrote the original story, The Four Feathers (1978) and Secrets of the Phantom Caverns (1984).He went on to appear in such films as Zombi 2 (1979) (which was banned for some years), Lara Croft: Tomb Raider (2001) and The Boy in the Striped Pyjamas (2008).

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